The 1995 adaptation of Jane Austen’s classic, starring Colin Firth, has its own fan group, has inspired university courses and was even featured in the Barbie movie. What’s behind its enduring appeal?
I was born in the wrong century – or so my mother says, while I protest from my writing bureau, wax seal in hand, ready to dispatch an Austen-style letter to a friend. But as I put out the candle flame with my antique snuffer, I wonder if she might be right. For me, the past has always felt like home – I grew up on a literary diet of classic fiction, seasoned with a love of my Regency hero, Jane Austen.
So when the BBC dramatisation of her most popular novel, Pride and Prejudice, first aired in 1995, it was manna from heaven for me, especially as an A-level English literature student. My pre-binge-era classmates and I delighted in the weekly suspense. We chattered of Mr Darcy’s intense looks, so sizzling they could fry an egg; laughed over the unfiltered comments of a dramatic Mrs Bennet; hummed that glorious title music on repeat. It played in my head whenever I sauntered around the open fields of my local Kent countryside. I felt like – nay – I was Elizabeth Bennet.
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